支持过度高效的独金博宝188立艺术新闻。188asia.com

两个主要展览,金博宝188app更接近生命:在Marieluise Hessel集合中的纸张上的图纸和工作乐趣:美国艺术的模式和装饰1972-1985现在,现在在纽约哈德森的Curatorial研究中心,吟游诗人学院(CCS Bard)。距离纽约市仅有很短的车程,这些展览会在CCS Bard Reexamine探索的艺术和媒体金博宝188app上,并向CCS Bard联合创始人Marieluise Hessel的收集历史提供了一瞥,其集合在中心积极使用CCS Bard.’s graduate program — and from which many of the works in更近的生活荣幸绘制。

在Hessel Collection的纸上包含超过75份,以跟踪四十年的收集,更近的生活探索绘画作为思考重要个人和社会进口问题的工具。该展览有金博宝188app许多艺术家在媒体中,在较大的OEUVRE中,来自威廉的Copley绘图,捕获中小型流行文化,以乌尔克米尔勒近期收购作品。其他艺术家包括Joseph Beuys,Nick Cave,Nicole Eisenman,Rashid Johnson,Toyin Ojih Odutola,Gerhard Richter,Lorna Simpson,Rosemarie Trockel,Danh Vo和David Wojnarowicz,以及其他许多人。

荣幸那the first large-scale North American survey of the women-led Pattern and Decoration (P&D) movement of the 1970s and ’80s, showcases major works from the Hessel Collection alongside significant loans from museums, private collections, and foundations to trace the movement’s reach in postwar American art. Countering the male-dominated minimalist aesthetics of the day, P&D celebrated color, excess, and the decorative. The exhibition examines the artists at the movement’s core, such as Valerie Jaudon, Robert Kushner, Kim MacConnel, and Barbara Zucker, as well as those whose contributions to P&D have been under-recognized, like Merion Estes, Dee Shapiro, Kendall Shaw, and Takako Yamaguchi; and those who are not normally considered in the context of P&D, such as Emma Amos, Billy Al Bengston, Al Loving, and Betty Woodman.

要了解有关CCS Bard的夏季展览的更多信息,请访问金博宝188appccs.bard.edu.

金博宝188