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支持过度高效的独金博宝188立艺术新闻。

伦敦 - 基于纽约艺术家在纽约艺术家中的作品有何好奇Sedrick Chisom.第一个英国独奏秀二万千年的火和雪在Pilar Corrias,是,虽然它们被描述为“坐在额外的传统中”,但没有黑人存在。这不是批评。It is an observation that provides an opportunity to consider what it means to create Afrofuturistic art — i.e., work that envisages futures from Black perspectives, and most commonly, imagines the lives of Black people in those futures — that does not require the presence of Black people.

在这个特别的世界末日的未来,奇思摩科如此生动地建造,所有颜色的人都留下了地球。剩余的居民对影响皮肤色素沉着的疾病,并且一只幸运的幸运才能慢慢生病,试图在一个所谓的“怪物”比赛中宣称瘟疫已经蹂躏和改变的所谓的“怪物”比赛。

In Chisom’s characteristically long-titled artwork “The Fugitives of The Southern Cross Gathered With the Monstrous Races Beneath a Juniper Tree along the Outer Realm of the Savage South” (2021), the fugitive, perhaps a female figure, looks almost ethereal with lilacs, pinks, and whites conveying a sense of inherent, but also suspicious, magnanimity in contrast to the grotesque figures standing under the drooping canopy of a blackened juniper tree. One is headless; a face appears in its torso instead, evoking the mythological “Blemmyes” of Africa which were written about by ancient writers like Herodotus and Pliny the Elder. Chisom, himself an excellent mythmaker, draws on classical mythology, Christian iconography, and art historical and literary references as wide ranging as English illustrator Edmund Dulac and artist-writer David Batchelor’sChromophobia

安装视图,Sedrick Chisom,二万千年的火灾和雪在Pilar Corrias Eastcastle Street

后者的工作讨论了西方文化“恐惧腐败通过颜色”,因此修改它。Chisom的颜色治疗非常有效。His stark charcoal works such as “Medusa’s Covenant With The Lord of the Woods”(2020) — which depicts the eponymous figure mid-air and naked with white snake-like hair and sharp talon-like nails — take on a cartoon- or comic-like aura while simultaneously evoking William Blake. In other works, intense bright oranges and dirty lilacs, applied via oil and acrylic paints, spray paint, and watercolor, convey toxicity, intense heat, and an inhospitable environment.

还有一个不确定的感觉:白天和夜间之间的边界模糊,陆地,水和天空,即使在前景和背景之间。似乎对他们同盟的COSPLAY和滔天人民在他们共同的瘟疫时,似乎与激进的ALT-over-Invisired集团之间的战争之间的战争荒谬谈到。

安装视图,Sedrick Chisom,二万千年的火灾和雪在Pilar Corrias Eastcastle Street

这种想法在作品中被放大,如“强大的白人的全力避免死亡,最后醉酒的狄俄尼亚英雄,又是脆弱的水仙的完全悲惨的诞生”(2020年),其中一个男人在那种体育令人难以置信的情况下,看到他已经被刺伤了用他自己的矛。“斯托利尔皇家城堡的斯托尔皇家城堡自然位于火灾湖上”(2021年)描绘了一座类似Babel的结构塔,回忆起老人和verhaect的同一主题的绘画。Chisom's Tower是一个短暂的扭曲,几乎放气结构,一个更具可怜的野心迹象。这是Chisom做得好的:利用史诗,大神话叙事来表现出一个世界的堕落和绝望,因为抗黑暗而最终成为最终。Chisom描绘了它作为一个不仅仅是苛刻,暴力和怪异的世界,也是完全可悲的。

Sedrick Chisom:二万千年的火灾和雪继续在Pilar CorriasEastcastle Street54伦敦东卡尔街到8月20日。

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Aida Amoako.

Aida Amoako是来自伦敦的自由作家。她写了关于艺术,文化和她痴迷的任何东西。

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